FR 301 - Lisbon Earthquake: Home
Class Bibliography
We're going to be working on a class bibliography.
You need to find at least 2 sources, explain why you like the source, and provide the resource's information to the rest of the class. The link to the shared Google doc is here.
Library Search
Library's Homepage
Databases
- Project Muse This link opens in a new windowFull-text journals in the humanities & social sciences. More InfoFull-Text UB ONLY
Encyclopedias
- Gale eBooks (formerly Gale Virtual Reference Library) This link opens in a new windowFull-text entries from encyclopedias and reference works published by Gale Group More InfoFull-Text UB ONLY
- Cambridge Histories Online This link opens in a new windowsee Cambridge Core More InfoPartial Full-Text UB ONLY
- Routledge Encyclopedia of Philosophy This link opens in a new windowOnline version of Routledge Encyclopedia of Philosophy. More InfoFull-Text UB ONLY
Books
- The Lisbon earthquake of 1755 : representations and reactions byCall Number: DP762 .L58 2005ISBN: 0729408574Publication Date: 2005
- Terra byCall Number: GB5018 .H36 2010ISBN: 9780330490740Publication Date: 2010-06-18A book about life, death and natural disasters Blending history, science and eye-witness accounts, and arranged in chapters corresponding to the four elements (earth, air, fire and water), Terra explores the relationship between the planet and the humans who inhabit its surfaces. Through four case histories -- the Lisbon earthquake of 1755; the weather-panics of the summer of 1783; the eruption of Krakatau in 1883; and the Hilo tsunami of 1946 -- Hamblyn reminds us of the earth's unimaginable force and describes what happens when that force is unleashed, both in terms of the immediate human consequences and the longer term economic and scientific implications. Serving, ultimately, as a stark and incontrovertible reminder of our vulnerability when the earth 'goes wrong', Terra also asks why we don't seem fully able to learn from the catastrophes, mistakes and responses of the past. 'Beautifully written, richly detailed and brilliantly judged' Guardian