Scandal, Crime, and Spectacle: Home
Ari Adut, On Scandal: Moral Disturbances in Politics, Society, and Art (2008)ISBN: 9780521895897Scandal is the quintessential public event. Here is the first general and comprehensive analysis of this ubiquitous moral phenomenon. Taking up wide-ranging cases in society, politics, and art, Ari Adut shows when wrong-doings generate scandals and when they do not. He focuses on the emotional and cognitive experience of scandals and the relationships among those who are involved in or exposed to them. This perspective explains variations in the effects, frequency, elicited reactions, outcomes, and strategic uses of scandals. On Scandal offers provocative accounts of the Oscar Wilde, Watergate, and Lewinsky affairs. Adut also employs the lens of scandal to address puzzles and questions regarding public life. Why is American politics plagued by sex scandals? What is the cause of the rise in political scandals in Western democracies? Why were Victorians sometimes very accommodating and other times very intolerant of homosexuality? What is the social logic of hypocrisy?
In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's "prevailing taste for deformity." This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; "Lalloo, the Double-Bodied Hindoo Boy," a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's "missing link"; the "Last of the Mysterious Aztecs" and African "Cannibal Kings," who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British--at a key moment in the making of modern and imperial ideologies and identities.
Paris, 1889: Margeurite Steinheil is a woman with ambition. But having been born into a middle-class family and trapped in a marriage to a failed artist twenty years her senior, she knows her options are limited. Determined to fashion herself into a new woman, Meg orchestrates a scandalous plan with her most powerful resource: her body. Amid the dazzling glamor, art, and romance of bourgeois Paris, she takes elite men as her lovers, charming her way into the good graces of the rich and powerful. Her ambitions, though, go far beyond becoming the most desirable woman in Paris; at her core, she is a woman determined to conquer French high society. But the game she plays is a perilous one: navigating misogynistic double-standards, public scrutiny, and political intrigue, she is soon vaulted into infamy in the most dangerous way possible. A real-life femme fatale, Meg influences government positions and resorts to blackmail-and maybe even poisoning-to get her way. Leaving a trail of death and disaster in her wake, she earns the name the "Red Widow" for mysteriously surviving a home invasion that leaves both her husband and mother dead. With the police baffled and the public enraged, Meg breaks every rule in the bourgeois handbook and becomes the most notorious woman in Paris. An unforgettable true account of sex, scandal, and murder, this book is the story of a woman determined to rise-at any cost.
Asti Hustvedt, Medical Muses: Hysteria in Nineteenth-Century Paris, W.W. Norton & Co., 2011.
Blanche, Augustine, and Genevieve found themselves in the hysteria ward of the Salpetriere Hospital in 1870s Paris, where their care was directed by the prominent neurologist Jean-Martin Charcot. They became medical celebrities: every week, eager crowds arrived at the hospital to observe their symptoms; they were photographed, sculpted, painted, and transformed into characters in novels. The remarkable story of their lives as patients in the clinic is a strange amalgam of intimate details and public exposure, science and religion, medicine and the occult, hypnotism, love, and theater. But who were Blanche, Augustine, and Genevieve? What role did they play in their own peculiar form of stardom? And what exactly were they suffering from? Hysteria--with its dramatic seizures, hallucinations, and reenactments of past traumas--may be an illness of the past, but the notions of femininity that lie behind it offer insights into disorders of the present.
James Ruddick, Death at the Priory: Love, Sex, and Murder in Victorian England, Grove Press, 2002.
In 1875 the beautiful widow Florence Ricardo married the handsome and successful young attorney Charles Bravo, hoping to escape the scandals of her past. But Bravo proved to be a brutal and conniving man, and the marriage was far from happy. Then one night he suddenly collapsed, and three days later died an agonizing death. His doctors immediately determined that he had been poisoned. The graphic and sensational details of the case would capture the public imagination of Victorian England as the investigation dominated the press for weeks, and the list of suspects grew to include Florence, her secret lover the eminent doctor James Gully, her longtime companion the housekeeper Mrs. Cox, and the recently dismissed stableman George Griffiths. But ultimately no murderer could be determined, and despite the efforts of numerous historians, criminologists, and other writers since (including Agatha Christie), the case has never been definitively solved. Now James Ruddick retells this gripping story of love, greed, brutality, and betrayal among the elite -- offering an intimate portrait of Victorian culture and of one woman's struggle to live in this repressive society, while unmasking the true murderer for the first time. Simultaneously a murder mystery, colorful social history, and modern-day detective tale, Death at the Priory is a thrilling read and a window into a fascinating time.
From tabloid exposés of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.
The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA. The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close. Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries. This work delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. The past decade, however, has seen major changes in law and public policy and an active, ongoing debate over legal and ethical issues affecting the ownership of art and other cultural property. In clear, nontechnical language, the contributors to this collection provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war, pillage, and development, and international cooperation to preserve collections in the developing world.
The new edition of this insightful work begins with a critical reexamination of the rival Greek and British claims to the Elgin Marbles. That case study identifies the questions that continue to dominate the growing international debate about cultural property policy and which are subsequently explored in a newly-expanded array of essays: Why are people concerned about cultural property? Is cultural nationalism a sound organizing principle for dealing with cultural property questions? Or is it a relic of 19th century romanticism, kept alive by the power of Byron's poetry? How can one rationalize cultural nationalism with the idea that works of art and antiquities are the cultural heritage of all mankind? What are alternative ways of thinking about cultural property policy and law? The work goes on to pay particular attention to the law and policy relating to cultural property export controls and the evolution and development of the 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property. The second part of this highly-regarded book addresses a number of contemporary art law issues in essays on counterfeit art, the moral rights of artists, the artist's resale right (droit de suite), the litigation over the Mark Rothko estate, and problems of museum trustee negligence, conflict of interests, and misuse of inside information.
Every year, millions of people visit London's British Museum to admire the magnificent Greek sculptures that adorned the Parthenon in Athens for more than two thousand years. This compelling and controversial story of the Elgin Marbles (named for Thomas Bruce, seventh earl of Elgin, who stripped the Parthenon of these exquisite works in what has been called "the greatest art theft in history") re-creates in full and colorful detail a steamy tale of obsession, intrigue, adultery, and ruin. Drawing on original source material -- letters, diaries, official government reports and memoranda, together with the full divorce proceedings of a scandalous adultery trial in Edinburgh -- and on his earlier work on the subject, Vrettos brings brilliantly to life these fascinating events of history. Rounding out the story of the marbles, the author concludes with the latest battles between the Greek and English governments over the rightful ownership of these priceless treasures.
Glynis Cooper, A Century of Female Revolution: From Peterloo to Parliament, Pen & Sword Books, 2020.This dramatic social history follows the struggle for women’s rights in England from the Industrial Revolution to the Suffragist victory after WWI. The 100 years from 1819-1919 saw remarkable change for women in England. From the early nineteenth century, when women were not even considered ‘persons' under the law, they achieved full legal rights and status. The doors of education and employment were thrown open to them, and by 1919, they won universal suffrage. As workers organized in the North-West to demand better conditions in the textile industries, women formed their own groups to support the cause—and fight for their own rights. Blowback came in August of 1819, in the form of the Peterloo Massacre. The brutality of that day brought attention to the women’s cause and encouraged them to continue the fight. Women became involved in reform groups, Chartism, trade unions, politics, education, career opportunities and the right to vote. Though they faced hostility from both men and women, their perseverance paid off for generations of women to come.
Robert Poole, Peterloo: The English Uprising, Oxford University Press, 2019.
On 16 August, 1819, at St Peter's Field, Manchester, armed cavalry attacked a peaceful rally of some 50,000 pro-democracy reformers. Under the eyes of the national press, 18 people were killed and some 700 injured, many of them by sabres, many of them women, some of them children. The 'Peterloo massacre', the subject of a recent feature film and a major commemoration in 2019, is famous as the central episode in Edward Thompson's Making of the English Working Class. It also marked the rise of a new English radical populism as the British state, recently victorious at Waterloo, was challenged by a pro-democracy movement centered on the industrial north. Why did the cavalry attack? Who ordered them in? What was the radical strategy? Why were there women on the platform, and why were they so ferociously attacked? Using an immense range of sources, and many new maps and illustrations, Robert Poole tells for the first time the full extraordinary story of Peterloo.
Graham Phythian, Peterloo: Voices, Sabres and Silence, The History Press Limited, 2018.
On 16 August 1819 on St Peter’s Field, Manchester, a peaceful demonstration of some 60,000 workers and reformers was brutally dispersed by sabre-wielding cavalry, resulting in at least fifteen dead and over 600 injured. Within days the slaughter was named ‘Peter-loo’, as an ironic reference to the battleground of Waterloo. Now the subject of a major film, this highly detailed yet readable narrative, based almost entirely on eyewitness reports and contemporary documents, brings the events of that terrible day vividly to life. In a world in which the legitimacy of facts is in constant jeopardy from media and authoritarian bias, the lessons to be learned from the bloodshed and the tyrannical aftermath are as pertinent today as they were 200 years ago. Film director Mike Leigh has defined Peterloo as ‘the event that becomes more relevant with every new episode of our crazy times’.
Robert Reid, The Peterloo Massacre, Windmill Books, 1989.
The Peterloo Massacre is a revealing and compelling account of one of the darkest days in Britain's social history. On 16 August 1819, a strong force of yeomanry and regular cavalry charged into a crowd of more than 100,000 workers who had gathered on St Peter’s Field in Manchester for a meeting about Parliamentary reform. Many were killed. This violent, startling event became known as Peterloo, one of the darkest days in Britain’s social history. The Peterloo Massacre provides a revealing narrative account of the events leading up to Peterloo, starkly describes the actions of that fateful day, and examines its aftermath. It offers a new perspective on the political and military activities of the time, and shows how the very nature of society was powerfully influenced by irreversible technological a pattern that, two-hundred years later, still has relevance in understanding the forces shaping our world today.
On the night of 23 February 1820, twenty-five impoverished craftsmen assembled in an obscure stable in Cato Street, London, with a plan to massacre the whole British cabinet at its monthly dinner. The Cato Street Conspiracy was the most sensational of all plots aimed at the British state since Guy Fawkes' Gunpowder Plot of 1605. It ended in betrayal, arrest, and trial, and with five conspirators publicly hanged and decapitated for treason. Their failure proved the state's physical strength, and ended hopes of revolution for a century. Vic Gatrell explores this dramatic yet neglected event in unprecedented detail through spy reports, trial interrogations, letters, speeches, songs, maps, and images. Attending to the 'real lives' and habitats of the men, women, and children involved, he throws fresh light on the troubled and tragic world of Regency Britain, and on one of the most compelling and poignant episodes in British history.
On 23 February 1820 a group of radicals were arrested in Cato Street off the Edgware Road in London. They were within 60 minutes of setting out to assassinate the British cabinet. Five of the conspirators were subsequently executed and another five were transported for life to Australia. The plotters were a mixture of English, Scottish and Irish tradesmen, and one was a black Jamaican. They were motivated by a desire to avenge the `Peterloo' massacre and intended to declare a republic, which they believed would encourage popular risings in London and across Britain. This volume of essays uses contemporary reports by Home Office spies and informers to assess the seriousness of the conspiracy. This book explains the conspiracy, and why you have never heard of it.
This work traces the history of famine in the modern French Empire, showing that hunger is intensely local and sweepingly global, shaped by regional contexts and the transnational interplay of ideas and policies all at once. By integrating food crises in Algeria, West and Equatorial Africa, and Vietnam into a broader story of imperial and transnational care, Slobodkin reveals how the French colonial state and an emerging international community took increasing responsibility for subsistence, but ultimately failed to fulfill this responsibility. Europeans once dismissed colonial famines as acts of god, misfortunes of nature, and the inevitable consequences of backward races living in harsh environments. But as Slobodkin recounts, drawing on archival research from four continents, the twentieth century saw transformations in nutrition, scientific racism, and international humanitarianism that profoundly altered ideas of what colonialism could accomplish. A new confidence in the ability to mitigate hunger, coupled with new norms of moral responsibility, marked a turning point in the French Empire's relationship to colonial subjects―and to nature itself. Increasingly sophisticated understandings of famine as a technical problem subject to state control saddled France with untenable obligations. This work not only illustrates how the painful history of colonial famine remains with us in our current understandings of public health, state sovereignty, and international aid, but also seeks to return food―this most basic of human needs―to its central place in the formation of modern political obligation and humanitarian ethics.
Even though there were relatively few people of color in post-revolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In this work, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country's post-revolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. This book explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France's need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
The dramatic story of Mehdi Hasan and Ellen Donnelly, whose marriage convulsed high society in nineteenth-century India and whose notorious trial and fall reverberated throughout the British Empire, setting the benchmark for Victorian scandals. In April 1892, a damning pamphlet circulated in the south Indian city of Hyderabad, the capital of the largest and wealthiest princely state in the British Raj. An anonymous writer charged Mehdi Hasan, an aspiring Muslim lawyer from the north, and Ellen Donnelly, his Indian-born British wife, with gross sexual misconduct and deception. The scandal that ensued sent shock waves from Calcutta to London. Who wrote this pamphlet, and was it true? Mehdi and Ellen had risen rapidly among Hyderabad’s elites. On a trip to London they even met Queen Victoria. Not long after, a scurrilous pamphlet addressed to “the ladies of Hyderabad” charged the couple with propagating a sham marriage for personal gain. Ellen, it was claimed, had been a prostitute, and Mehdi was accused of making his wife available to men who could advance his career. To avenge his wife and clear his name, Mehdi filed suit against the pamphlet’s printer, prompting a trial that would alter their lives. Based on private letters, courtroom transcripts, secret government reports, and scathing newspaper accounts, Benjamin Cohen’s riveting reconstruction of the couple’s trial and tribulations lays bare the passions that ran across racial lines and the intimate betrayals that doomed the Hasans. Filled with accusations of midnight trysts and sexual taboos, An Appeal to the Ladies of Hyderabad is a powerful reminder of the perils facing those who tried to rewrite society’s rules. In the struggle of one couple, it exposes the fault lines that would soon tear a world apart.
In 1806 General Thomas Picton, Britain's first governor of Trinidad, was brought to trial for the torture of a free mulatto named Louisa Calderon and for overseeing a regime of terror over the island's slave population. James Epstein offers a fascinating account of the unfolding of this colonial drama. He shows the ways in which the trial and its investigation brought empire 'home' and exposed the disjuncture between a national self-image of humane governance and the brutal realities of colonial rule. He uses the trial to open up a range of issues, including colonial violence and norms of justice, the status of the British subject, imperial careering, visions of development after slavery, slave conspiracy and the colonial archive. He reveals how Britain's imperial regime became more authoritarian, hierarchical and militarised but also how unease about abuses of power and of the rights of colonial subjects began to grow.
An insightful new biography of the central figure in the Dreyfus Affair, focused on the man himself and based on newly accessible documents. On January 5, 1895, Captain Alfred Dreyfus’s cries of innocence were drowned out by a mob shouting “Death to Judas!” In this book, Maurice Samuels gives readers new insight into Dreyfus himself—the man at the center of the affair. He tells the story of Dreyfus’s early life in Paris, his promising career as a French officer, the false accusation leading to his imprisonment on Devil’s Island, the fight to prove his innocence that divided the French nation, and his life of quiet obscurity after World War I. Samuels’s striking perspective is enriched by a newly available archive of more than three thousand documents and objects donated by the Dreyfus family. Unlike many historians, Samuels argues that Dreyfus was not an “assimilated” Jew. Rather, he epitomized a new model of Jewish identity made possible by the French Revolution, when France became the first European nation to grant Jews full legal equality. This book analyzes Dreyfus’s complex relationship to Judaism and to antisemitism over the course of his life—a story that, as global antisemitism rises, echoes still. It also shows the profound effect of the Dreyfus Affair on the lives of Jews around the world.
Ruth Harris, Dreyfus: Politics, Emotion, and the Scandal of the Century, 2010.
In 1894, Alfred Dreyfus, a Jewish officer in the French army, was wrongfully convicted of being a spy for Germany and imprisoned on Devil's Island. Over the following years, attempts to correct this injustice tore France apart, inflicting wounds on the society which have never fully healed. But how did a fairly obscure miscarriage of justice come to break up families in bitterness, set off anti-Semitic riots across the French empire, and nearly trigger a coup d'état? How did a violently reactionary, obscurantist attitude become so powerful in a country that saw itself as the home of enlightenment? Why did the battle over a junior army officer occupy the foremost writers and philosophers of the age, from Émile Zola to Marcel Proust, Émile Durkheim, and many others? What drove the anti-Dreyfusards to persist in their efforts even after it became clear that much of the prosecution's evidence was faked? Drawing upon thousands of previously unread and unconsidered sources, prizewinning historian Ruth Harris goes beyond the conventional narrative of truth loving democrats uniting against proto-fascists. Instead, she offers the first in-depth history of both sides in the Affair, showing how complex interlocking influences—tensions within the military, the clashing demands of justice and nationalism, and a tangled web of friendships and family connections—shaped both the coalition working to free Dreyfus and the formidable alliances seeking to protect the reputation of the army that had convicted him. Sweeping and engaging, Dreyfus offers a new understanding of one of the most contested and significant moments in modern history.
Christopher E. Forth, The Dreyfus Affair and the Crisis of French Manhood, 2004.
In this work, historian Christopher E. Forth shows how the rhetoric and images used during the Dreyfus Affair reflected French anxieties about masculinity and modernity, and also facilitated ongoing debates about the state of French manhood through the First World War. Forth first considers the broad gender issues that faced the French at the time of the Dreyfus trial. He examines contemporary newspaper accounts as critiques of the masculine credentials of Jewish men and shows how members of the Jewish press answered allegations of their own cowardice and effeminacy. By situating the figure of the "intellectual" within the gender anxieties of the time, he shows how Dreyfus's supporters defensively tried to affirm their masculinity by distancing themselves from "cowardly" Jews, "hysterical" crowds, and threatening women. This book pays special attention to how the Dreyfus Affair engaged with changing ideals of the male body. Taking as a metaphor the portly body of Dreyfus's most prominent defender, novelist Emile Zola, Forth explores how an emerging emphasis on diet and exercise allowed supporters to celebrate Zola's "heroic" weight loss. Finally, he examines the relation of the Dreyfus Affair to the "culture of force" that marked French society during the prewar years, thus accounting for the rise of the youthful athlete as a more compelling manly ideal than the bookish and sedentary intellectual.
Martin Phillip Johnson, The Dreyfus Affair: Honour and Politics in the Belle Époque, 1999.
The Dreyfus Affair, or simply L'Affaire, was the defining event in French life between the disasters of the Franco-Prussian War and the First World War. After decades of prosperity and growth following the Prussian invasion, the destruction of the Paris Commune and the seemingly successful creation of the Third Republic, the Affair cruelly exposed the bitter divisions within French society. The Affair tore apart the French army, forced ministers to resign, created quite new political groupings, led to an attempted coup and contributed to the paranoia that almost resulted in a catastrophic Anglo-French war in 1898." "The scale and complexity of the Affair have resulted in numerous very large books on the subject, but there is a desperate need among students of Belle Epoque France for a much shorter work that allows the Affair much more space than in the survey textbooks (and therefore allows it to be comprehensible), while being crisp enough to be read realistically during term.
How has corruption shaped – and undermined – the history of public life in modern Britain? This collection begins the task of piecing together this history over the past two and a half centuries, from the first assaults on Old Corruption and aristocratic privilege during the late eighteenth century through to the corruption scandals that blighted the worlds of Westminster and municipal government during the twentieth century. It offers the first account that pays equal attention to the successes and limitations of anticorruption reforms and the shifting meanings of ‘corruption’. It does so across a range of different sites – electoral, political and administrative, domestic and colonial – presenting new research on neglected areas of reform, while revisiting well known scandals and corrupt practices.
Neil McKenna, Fanny and Stella: The Young Men Who Shocked Victorian England, Faber & Faber, 2014.
Summary:28th April 1870. The flamboyantly dressed Miss Fanny Park and Miss Stella Boulton are causing a stir in the Strand Theatre. All eyes are riveted upon their lascivious oglings of the gentlemen in the stalls. Moments later they are led away by the police. What followed was a scandal that shocked and titillated Victorian England in equal measure. It turned out that the alluring Miss Fanny Park and Miss Stella Boulton were no ordinary young women. Far from it. In fact, they were young men who liked to dress as women. When the Metropolitan Police launched a secret campaign to bring about their downfall, they were arrested and subjected to a sensational show trial in Westminster Hall. As the trial of 'the Young Men in Women's Clothes' unfolded, Fanny and Stella's extraordinary lives as wives and daughters, actresses and whores were revealed to an incredulous public. With a cast of peers, politicians and prostitutes, drag queens, doctors and detectives, Fanny and Stella is a Victorian peepshow, exposing the startling underbelly of nineteenth-century London. By turns tragic and comic, meticulously researched and dazzlingly written, Fanny and Stella is an enthralling tour-de-force.
A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit. The cadavers supplied a ready payout, courtesy of Dr. Robert Knox, who was desperate for anatomical subjects. Nearly two hundred years later, these scandalous murders continue to fire imagination in Scotland and beyond. From the start, the sensational events provoked artists and writers. While Sir Walter Scott resisted public comment, his correspondence gives his trenchant private opinion and shows him working busily behind the scenes and against the doctor. Many more mined the news outright. Serial novelist David Pae exploited the disturbance to lobby for religious belief in an increasingly secular world. A subsequent generation resurrected the grisly drama as fodder for the Victorian gothic-the murders figure prominently in Robert Louis Stevenson's "The Body Snatcher" and, more obliquely, in Strange Case of Dr. Jekyll and Mr. Hyde. The Doctor Dissected analyzes the afterlife of this national trauma and considers its singular place in Scottish history.
In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land. At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable-that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today...from the cryptic Sgt. Cuff in Wilkie Collins's The Moonstone to Dashiell Hammett's Sam Spade. The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.