An exhibition organized for UCSB Art Museum, University of California Santa Barbara, January 4 through February 10, 1980.

This collection of papers addresses two questions central to design and historic preservation: what are the parameters of 'compatibility' in the design of additions to historic buildings and of new infill buildings in historic districts and landscapes. Presented at the 'Third National Forum on Historic Preservation Practice: A Critical Look at Design in Historic Preservation', held at Goucher College, the authors include practicing and academic historic preservationists, architectural historians, architects, landscape architects, and engineers. Organized under the themes of 'Melding Contemporary and Historic Design', 'Design Standards in Changing Environments', 'Modernism and Post modernism in Preservation Design', and 'Engineering and Preservation', issues of compatibility are explored through diverse projects in locations across the United States from historic Charleston, SC to downtown Los Angeles.

Art history became established as an academic discipline in the United States between 1865 and 1895, when courses were introduced not only at Yale, Princeton, and Harvard, but also at Vassar, Syracuse, Wellesley, Rockford Female Seminary, Radcliffe, and Bryn Mawr. The prominent early role of the women's colleges and smaller universities is just one of the areas investigated in this volume on the genesis and early development of art history in the United States. Other essays focus on single departments of art history, examining the early subjects and methods of American art history and the way in which its practitioners responded to and assimilated contemporary developments in other fields, particularly history, the sciences, and philosophy. A final section examines some of the great scholarly personalities that dominated the field in the early years of this century. The volume includes a complete reprint of E. Baldwin Smith's 1912 survey The Study of the History of Art in the Colleges and Universities of the United States (Princeton). The contributors include Pamela Askew, Lauren Weiss Bricker, John Coolidge, Julius Held, Sybil Kantor, George Kubler, Marilyn Aronberg Lavin, Phyllis Williams Lehmann, Hayden Maginnis, Agnes Mongan, Henry Millon, Donald Preziosi, Michael Rinehart, Linda Seidel, Claire Richter Sherman, Craig Hugh Smyth, Mary Ann Stankiewicz, David Van Zanten, and Edward Warburg.

Inspired by the romance of Italian villas, Spanish farmhouses, and Moorish courtyards, the Mediterranean Revival style became an archetype for sophisticated suburban homes throughout America in the early 20th century. The characteristic white stucco house, roofed with terra-cotta and ornamented with ironwork, decorative tiles, and fountains, remains the dominant style for new residences in California, the Southwest, and Florida.   The Mediterranean house’s longevity is rooted in an overall simplicity and an emphasis on the outdoors. Its central courtyard, terraces, and loggias provide a fluidity between interiors and exteriors equally prized by the architects of ancient Pompeii and groundbreaking modernists.   The Mediterranean House in America provides the first comprehensive survey of this popular style, beautifully illustrated in full-color photographs by Juergen Nogai, archival photos, and drawings. 

Book Chapter: Kapp, Paul Hardin, Lauren Weiss Bricker, and Luis Hoyos. 2014. "Documentation and design in association: Historic preservation design using social history, advocacy, and drawing in the architecture design studio."

A comprehensive overview of an architectural practice in Palm Springs that spanned over 60 years during the 'golden age' of Californian architecture. Wexler's practice began with the design of prefabricated houses and portable classrooms constructed of light gauge steel. The extremes of the desert forced Wexler to create a specific type of sustainable architecture, which he applied to projects commissioned by people like Dinah Shore, Frank Sinatra, the Alexander Construction Company and Walt Disney World Resort. This is the first monograph on his work.